A blog about cancer, spirituality, death, and guitars
DEATH – have no fear
My name is Chaitanya das, my other name is Charles Robinson. Chaitanya das is the name given to me by my spiritual teacher, my dear friend, Jagad Guru Siddhaswarupananda.
I have been dealing with advanced prostate cancer now for almost 15 years. In my blog I want to talk about how being diagnosed with cancer affected me, and how in the years since, I have come to not only understand but experience who I am through meditation and the philosophy behind it. This has also helped me understand my relationship with others, and also my relationship with the Supreme Soul, who is beside not only me, but all living beings, always.
With a diagnosis of advanced cancer comes fear. The fear of pain and suffering. The fear of death and dying. As well as being worried about dying we also worry, and are fearful, for our loved ones we will leave behind. We are attached to many things in this world and every one of these attachments accentuates our fear of leaving this world. But this fear can be overcome.
So from time-to-time in this blog, I’ll try to unpack as best I can some of the many lessons and insights from the Vedic literatures such as the Bhagavad Gita and the great sages of Vedic history that I have come to appreciate by hearing from my spiritual teacher Jagad Guru Siddhaswarupananda.
During my life one of my interests has been vintage guitars - guitars that were made pre 1940’s. I have undertaken a great deal of research into different makers of vintage American guitars, particularly H.A. Weymann and Son. This is an interesting label and I’d like to share some little known facts about them as well as some other early vintage ‘parlor’ guitars that have come my way.
Thank you and Namaste
(I welcome and encourage comments and questions on all blogs).
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H. A. Weymann & Son was a different type of wholesaler because they had a very stable and large retail outlet to augment the production from their workshop. They produced many different designs of guitars, often in small runs, but I suspect they also made guitars to order, or to satisfy the creativity of their crafts people. Consequently, the variety of their guitar styles never ceases to amaze.
I have photos of various Weymann guitars I want to feature in individual posts. I’m going to start with this guitar owned by a very nice lady, Judy Freeman, who has given me permission to share photos and information about her guitar. Whether this is a one-off instrument or a limited run, I guess we’ll only know if another turns up:
So sometimes the bigger they are, those with the biggest false egos, the harder they fall. And the harder they fall the happier they become because they experience, “ I am the most fallen, the worst. I am the most sinful person and yet God still forgives me.” They experience how unconditional God’s love for them is.
When I experience how unconditional God’s love is for me, then I know that I have a true friend, an unconditional friend and protector. I feel completely secure knowing there is nothing that I can be or do that would make me such that God does not love me. If I approach God completely naked, not in any way defending myself, or trying to hide my imperfections, then I experience how God’s love for me is perfect, and that I need no other protection, no other friend, no other source of happiness. This realization is complete self-realization.”Jagad Guru Siddhaswarupananda
Anzac Day (25th April) is fast approaching. In Australia and New Zealand this is the national day of remembrance that commemorates all Australians and New Zealanders who served in, and died in, all wars and conflicts.
It was originally devised to honour the members of the Australian and New Zealand Army Corps (thus ANZACS) who served in the Gallipoli Campaign, their first engagement in World War I, (1914-1918).
It is a solemn day in Australia and New Zealand and rightly so. It honours the soldiers, irrespective of the right or wrong of the different wars they’ve participated in.
For research purposes, I have set up a page with a form so that Weymann owners can register their stringed instruments (Banjos, Mandolins, Ukuleles, Guitars, Mandolutes etc.).
My aim is to gain information that will help make dating these instruments more accurate as well as providing general information.
I really do hope that if you own a Weymann instrument you will kindly register it on my page with the registration form. It only takes a minute and all contact information will kept confidential. Here’s where to Register:
So far I have almost 100 instruments registered. As more are added, more information is unlocked. It’s early days but already some interesting facts have come to light, and I will do a post about this in the near future.
The term decal is the shortened version of the word ‘decalcomania’, which is the English pronunciation of the French word décalcomanie. It entails the transferring of a printed image on paper onto ceramic, wood or any other material. The image is then varnished over to protect it from damage.
OSCAR SCHMIDT and other makers using DECALCOMANIA
“With decals, inlaid marquetry can be closely imitated and various shades of wood and even pearl can be reproduced with exactness.” In the USA, from the end of the 1890’s, this decoration was used on pianos, mandolins, guitars and zithers etc. Music Trade Review 10 Aug 1899 p.16.Continue reading “DECALCOMANIA (DECALS) – Guitar Decoration Pt. 1”→
I’ve always been a collector. When I was very young, I collected coins. My parents owned a corner store and I would go through the coins at the end of the days sales and pick out any foreign or unusual coins and add them to my collection.
As I got a bit older, I would buy rarer coins and collect those. Eventually I lost interest in numismatics and my collecting had a decade or so break. I got married and started collecting kids, six of them, each quite rare and valuable.
This is a rare early 1917 Weymann Ukulele, very similar to a Martin Style 0 soprano ukulele. Style 0 indicates that the edge is unbound and this was not introduced by Martin until 1921/22.
Originally I thought this was a 1914 Ukulele, but after contacting ukulele aficionado Tom Walsh*, he questioned the information this dating was based on. I now agree with him and believe this is a 1917 Weymann made instrument. However this is still a rare early stateside made ukulele. (please see more about this in the dating section below).
*Tom Walsh co-authored the book: “The Martin Ukulele: The Little Instrument That Helped Create a Guitar Giant” and is a director of The Ukulele Hall of Fame Museum.
Jim Temple, halfway ‘round the world (in Texas) from where I live in Brisbane, Australia, bought a little uke years ago and was amazed by its sound. He’d played it for several years before he was finally able to identify it with help from a visit to my website. He’s dang near 80 years old but he said he will remain a member of our Weymann family so long as he has breath!
A question for Weymann fans; I am hoping a Weymann descendant, or someone can help with this please.
Buying an old guitar for about $100 some years ago started me on a journey to discover more about Weymann guitars. It’s been difficult at times to ferret out information about this maker whose manufacturing arm ceased almost 90 years ago.
Most difficult has been finding an image of H.W. (Harry) Weymann – (1866-1930).
Initially all I could find were these likenesses in the 1922 Philadelphia Inquirer: