The term decal is the shortened version of the word ‘decalcomania’, which is the English pronunciation of the French word décalcomanie. It entails the transferring of a printed image on paper onto ceramic, wood or any other material. The image is then varnished over to protect it from damage.
OSCAR SCHMIDT and other makers using DECALCOMANIA
“With decals, inlaid marquetry can be closely imitated and various shades of wood and even pearl can be reproduced with exactness.” In the USA, from the end of the 1890’s, this decoration was used on pianos, mandolins, guitars and zithers etc. Music Trade Review 10 Aug 1899 p.16.Continue reading “DECALCOMANIA (DECALS) – Guitar Decoration Pt. 1”→
I’ve always been a collector. When I was very young, I collected coins. My parents owned a corner store and I would go through the coins at the end of the days sales and pick out any foreign or unusual coins and add them to my collection.
As I got a bit older, I would buy rarer coins and collect those. Eventually I lost interest in numismatics and my collecting had a decade or so break. I got married and started collecting kids, six of them, each quite rare and valuable.
This is a rare early 1917 Weymann Ukulele, very similar to a Martin Style 0 soprano ukulele. Style 0 indicates that the edge is unbound and this was not introduced by Martin until 1921/22.
Originally I thought this was a 1914 Ukulele, but after contacting ukulele aficionado Tom Walsh*, he questioned the information this dating was based on. I now agree with him and believe this is a 1917 Weymann made instrument. However this is still a rare early stateside made ukulele. (please see more about this in the dating section below).
*Tom Walsh co-authored the book: “The Martin Ukulele: The Little Instrument That Helped Create a Guitar Giant” and is a director of The Ukulele Hall of Fame Museum.
Jim Temple, halfway ‘round the world (in Texas) from where I live in Brisbane, Australia, bought a little uke years ago and was amazed by its sound. He’d played it for several years before he was finally able to identify it with help from a visit to my website. He’s dang near 80 years old but he said he will remain a member of our Weymann family so long as he has breath!
A question for Weymann fans; I am hoping a Weymann descendant, or someone can help with this please.
Buying an old guitar for about $100 some years ago started me on a journey to discover more about Weymann guitars. It’s been difficult at times to ferret out information about this maker whose manufacturing arm ceased almost 90 years ago.
Most difficult has been finding an image of H.W. (Harry) Weymann – (1866-1930).
Initially all I could find were these likenesses in the 1922 Philadelphia Inquirer:
OSCAR SCHMIDT (1857 – 1929)
W. F. (Frederick) MENZENHAUER (1858 – 1937)
The Oscar Schmidt company was founded in the late 1890’s and incorporated in 1911. They are best known for the Zithers they produced in the early 1900’s, and for their early guitars, particularly the Stella label, and their 12-string guitars, which are still favored and sought after by blues players today (see Footnote 1.).
(I’d like to apologize to those that have subscribed to my blog that I have been inactive in posting for some months now. This was both forced [because of a reoccurring medical problem] and voluntary because my wife and I took an extended trip to spend time with our children and grandchildren . I hope to be more active on my blog in the coming months).
Some may know of an old groundbreaking TV show from the 1960’s called ‘The Twilight Zone’ presented by Rod Serling. The early episodes started with the words:
“There is a 5th dimension beyond that which is known to man, it is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge…..it is the area we call….The Twilight Zone!”
When his father died in 1888 and Frank Henry Martin took over the mantle as the head of C.F. Martin & Co, the company was dealing with a distribution problem. C.A. Zoebisch & Sons had exclusive distribution rights to all Martin instruments and Frank Martin did not think they were devoting sufficient effort to promote their guitars.
At that time, H.A. Weymann & Son were retailers and had been purchasing Martin guitars from Zoebisch & Sons and selling them in their shop (see c.1890 Weymann retail catalogue).