The WEYMANN “JIMMIE RODGERS” Special Model 890

and Jimmie Rodgers’ personalized Weymann Guitar

James Charles Rodgers (September 8, 1897 – May 26, 1933) was an American country, blues and folk singer, songwriter and musician in the early 20th century, and became known known as “The Father of Country Music”.

Jimmie Rodgers with his personalized Weymann Guitar

He was a huge star in his day and most likely influenced more artists than any other singer, including Elvis Presley and Bob Dylan.

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Article about H. A. WEYMANN & SON – from Musical Merchandise magazine, 29 April 1929

When I first bought a H. A. Weymann & Son guitar, there was very little known about the maker. One of the reasons for my site is to bring to light and preserve as much as I can about the Weymann Company.

I’m having a Weymann post blitz at the moment to get as much up about the company and clear out some of my files on the computer.  So, for the Weymann geeks and history nuts out there this post features a magazine article about H. A. Weymann & Son published in 1929.  It tells a lot about the company in 1929, when the Great Depression and the death of the principal driving force behind the company were both looming.  I’m preserving the article here for posterity!

Music Merchandise magazine 29 April 1929 p.38. Thanks to Tom Walsh for finding and sharing this article.

Written in April 1929, in the Musical Merchandise magazine, the entire article reads:

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NEIL RECK’S WEYMANN 870 Guitar

Continuing with featuring another readers’ Weymann guitar, I present this instrument owned by Neil Reck, Weymann aficionado and a collector of Weymann quality guitars. The latest addition to his stable is this Weymann guitar style 870:

Neil Reck’s Weymann 870 Orchestra Guitar

In the words of Neil, it is as “exactly as described in the catalogue and is a powerhouse of a OM guitar.”

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JOHNNY DEPP’S WEYMANN GUITAR – Style 748

Related Post: WEYMANN ‘F’ HOLE Guitars – Styles 30, 648, 748 & 848

Johnny Depp owns a Weymann ‘F’ hole guitar, and he played it briefly in a YouTube clip he made with Paul McCartney in a recording of Paul’s song, My Valentine (YouTube link below with Johnny Depp deaf language signing lyrics to McCartney’s song). When Paul McCartney first saw the guitar, he said “that’s a good-looking guitar, with those F holes there’s something romantic about it.” And that’s true, these vintage Weymann ‘F’ hole guitars have a certain ‘mystique’ about them. They are valued highly by their owners and rarely do they come up for sale.

Johnny Depp and Paul McCartney with Johnny Depp’s Weymann on the set prior to recording ‘My Valentine’

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JUDY FREEMAN’S WEYMANN c.1911 Tailpiece Guitar

H. A. Weymann & Son was a different type of wholesaler because they had a very stable and large retail outlet to augment the production from their workshop. They produced many different designs of guitars, often in small runs, but I suspect they also made guitars to order, or to satisfy the creativity of their crafts people. Consequently, the variety of their guitar styles never ceases to amaze.

I have photos of various Weymann guitars I want to feature in individual posts.  I’m going to start with this guitar owned by a very nice lady,  Judy Freeman, who has given me permission to share photos and information about her guitar.  Whether this is a one-off instrument or a limited run, I guess we’ll only know if another turns up:

Weymann c.1911 Brazilian rosewood guitar

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PLEASE REGISTER YOUR WEYMANN

For research purposes, I have set up a page with a form so that Weymann owners can register their stringed instruments (Banjos, Mandolins, Ukuleles, Guitars, Mandolutes etc.).

My aim is to gain information that will help make dating these instruments more accurate as well as providing general information.

Please take a minute and Register your Weymann(s)

I really do hope that if you own a Weymann instrument  you will kindly register it on my page with the registration form. It only takes a minute and all contact information will kept confidential.  Here’s where to Register:

REGISTER YOUR WEYMANN INSTRUMENT

So far I have almost 100 instruments registered.  As more are added,  more information is unlocked. It’s early days but already some interesting facts have come to light, and I will do a post about this in the near future.

UPDATE 20th May 2019:   There are now over 200 instruments registered.  Keep them coming in.  I hope to do a post soon of some of the insights that are revealed from the registration of these 200 instruments.

Many thanks  . . . . .Charles

AN EARLY 1917 WEYMANN UKULELE

This is a rare early 1917 Weymann Ukulele, very similar to a Martin Style 0 soprano ukulele.  Style 0 indicates that the edge is unbound and this was not introduced by Martin until 1921/22.

Originally I thought this was a 1914 Ukulele, but after contacting ukulele aficionado Tom Walsh*, he questioned the information this dating was based on.  I now agree with him and believe this is a 1917 Weymann made instrument.  However this is still a rare early stateside made ukulele. (please see more about this in the dating section below).

*Tom Walsh  co-authored the book: “The Martin Ukulele: The Little Instrument That Helped Create a Guitar Giant” and is a director of The Ukulele Hall of Fame Museum.
Jim Temple's uke - Front View Back View
Jim Temple’s uke – Front View                                         Back View

Jim Temple, halfway ‘round the world (in Texas) from where I live in Brisbane, Australia, bought a little uke years ago and was amazed by its sound. He’d played it for several years before he was finally able to identify it with help from a visit to my website.  He’s dang near 80 years old but he said he will remain a member of our Weymann family so long as he has breath!

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H. W. WEYMANN PORTRAIT – A Question . . . .

A question for Weymann fans; I am hoping a Weymann descendant, or someone can help with this please.

Buying an old guitar for about $100 some years ago started me on a journey to discover more about Weymann guitars. It’s been difficult at times to ferret out information about this maker whose manufacturing arm ceased almost 90 years ago.

Most difficult has been finding an image of H.W. (Harry) Weymann – (1866-1930).

Initially all I could find were these likenesses in the 1922 Philadelphia Inquirer:

H.W.Weymann portraits Philadelphia Inquirer 1922 and 1913
H.W. Weymann portraits Philadelphia Inquirer 1922 and 1913

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The C.F. MARTIN & Co. / H.A. WEYMANN & Son. Relationship

1.  MARTIN  INSTRUMENTS made for WEYMANN & SON.

When his father died in 1888 and Frank Henry Martin took over the mantle as the head of C.F. Martin & Co, the company was dealing with a distribution problem. C.A. Zoebisch & Sons had exclusive distribution rights to all Martin instruments and Frank Martin did not think they were devoting sufficient effort to promote their guitars. F.H. Martin & H.W. Weymann
(Correction: Harry W. Weymann’s death was in 1939, not 1930, see the newspaper obituary in this POST).

At that time, H.A. Weymann & Son were retailers and had been purchasing Martin guitars from Zoebisch & Sons and selling them in their shop (see c.1890 Weymann retail catalogue).

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H. A. WEYMANN & Son – CATALOGS

There are four H.A. Weymann and Son instrument catalogs that I know of still existing that feature guitars:

Weymann Instrument Catalogs, from left; c.1890 (retail), 1924, c.1928, c.1931
Weymann Instrument Catalogs, from left; c.1890 (retail), 1924, c.1928, c.1931

There is also a c.1930 Banjo catalog which only contains banjos.

1. WEYMANN  – Early 1890’s Retail Catalog.  Additional Information added 21 Sept 17: This catalog has been dated from 1896-1899 by a reader, see his comment on this post below.

Only four pages in total, this retail catalog shows  that Weymann was making guitars at this early date under their own “Weymann’s Highest Grade” and “W and S Keystone State” labels.

Some people date this catalog to 1889 but I think it is more likely a few years later than that (thus the early 1890’s).

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