This is a rare early 1917 Weymann Ukulele, very similar to a Martin Style 0 soprano ukulele.  Style 0 indicates that the edge is unbound and this was not introduced by Martin until 1921/22.

Originally I thought this was a 1914 Ukulele, but after contacting ukulele aficionado Tom Walsh*, he questioned the information this dating was based on.  I now agree with him and believe this is a 1917 Weymann made instrument.  However this is still a rare early stateside made ukulele. (please see more about this in the dating section below).

*Tom Walsh  co-authored the book: “The Martin Ukulele: The Little Instrument That Helped Create a Guitar Giant” and is a director of The Ukulele Hall of Fame Museum.
Jim Temple's uke - Front View Back View
Jim Temple’s uke – Front View                                         Back View

Jim Temple, halfway ‘round the world (in Texas) from where I live in Brisbane, Australia, bought a little uke years ago and was amazed by its sound. He’d played it for several years before he was finally able to identify it with help from a visit to my website.  He’s dang near 80 years old but he said he will remain a member of our Weymann family so long as he has breath!

In his initial email to me, he wrote:

“I owned and operated a very modest guitar store in this small East Texas town until I retired over ten years ago. Over the years, I bought and sold many used instruments and in the course of doing so I must have bought a small Keystone State ukulele among them.  After cleaning it up and restringing the little uke, I found that it played and sounded better than any other uke that I had played.  It has a decal label on the back of the headstock with the information: “Keystone State” with “U.S.A.” . . . and what looks a like a harp with a banner scroll containing a W&S.

“On the top edge of the headstock are two sets of numbers: “21709”  and “10” which, I suspect are the serial and model numbers, respectively.

“I delight myself and my younger grandchildren by playing a tune or two when they visit and bore the hell out of everyone else.  But that little uke is such a delight!”

I was intrigued because at the time I thought the serial number would date the ukulele to 1914 – way before Martin started ukulele production in 1916, and before the Panama-Pacific International Exposition in San Francisco from Feb-Dec 1915, the event attributed to popularizing the ukulele for a stateside audience. (More information about this manufacture date below).

Poster for the 1915 Panama-Pacific Expo Crowds outside the Hawaiian Pavilion
Poster for the 1915 Panama-Pacific Expo and Crowds outside the Hawaiian Pavilion

So, let me share some more photos that Jim sent me:

Please note that this ukulele appears to be made from the deep red Cuban mahogany that Weymann craftsmen preferred for many of their stringed instruments. 

And the dimensions:

Dimensions       Martin’s Soprano Uke     Jim’s Weymann Uke
Total Length               21”                                           21”
Body Length               9  7/16”                                  9  7/16”
Body Width                6  3/8”                                   6  3/8”
Scale Length              13  5/8”                                  13  5/8”

As you can see according to the website  the measurements of Jim’s uke are exactly the same as Martin’s soprano ukulele, which were introduced in 1916 (styles 1, 2, and 3). It seems most likely Weymann copied these measurements to make this model.

Weymann did however, produce this soprano uke without edge binding, something Martin did not do until 1921-22.

How do I know this uke dates from 1917?

Firstly, all Weymann stringed instruments are in the same dating sequence, there seems little doubt about that now.

According to my original** WEYMANN SERIAL NUMBERS AND DATING  post, the serial number of this ukulele, 21709, dated to 1914. I thought his date was reliable because as I had explained in that post, a Weymann mandolute turned up with Jake Wildwood with a serial number of 22614 AND a purchase docket with that mandolute dated 19h May 1915.

However when I wrote to Tom Walsh about this uke he questioned that 1915 date on the sales docket:

Mandolute Sales Docket from Jake Wildwood
Mandolute Sales Docket from Jake Wildwood

He pointed out to me that the date on that docket was more likely 1918, not 1915. This is primarily based on the fact that the ‘5’ for the day is not the same as the possible ‘5’ in the written year.  Once I saw this I accepted it was far more likely the year was 1918.

**I have since adjusted the dates on the WEYMANN SERIAL NUMBERS AND DATING  post to allow for the change of date on the sales docket.

Which means serial number 22614 of that mandolute has to date before that 1918 date, and, could be quite a bit earlier if the mandolute was not sold soon after manufacture.

This ukulele’s serial number is almost 1,000 less than that mandolute, and with production of about 2,000 instruments a year, the latest this ukulele could date is at the very end of 1917.

Weymann’s changed the shape of their gold decal label often and the ‘shield’ shape on Jim’s uke was used from about 1910 to around 1917.  So there is no contradiction there (Look for a post on these decal labels soon).

What is the significance of this Ukulele?

The history of the ukulele and the Hawaiian guitar and its introduction to mainland America is detailed by David Gansz on his website:

While ukuleles where brought to the mainland from Hawaii by Hawaiian bands and individual performers from about 1895, as mentioned previously  it wasn’t until the Panama-Pacific International Exposition in San Francisco from Feb-Dec 1915 that the instrument started to become popular.  Up until then most ukuleles where made in Hawaii.

1914 Newspaper advertisement
1914 Newspaper advertisement

A 1914 Los Angeles music store offers Hawaiian guitar and Uke instruction from Professor George Kia.  (Image courtesy ).

The ukuleles for sale are advertised as “Genuine Hawaiian Ukuleles”  which I take it mean they were made in Hawaii.

At about that time there is also evidence that companies were making efforts to import Koa wood to the mainland for guitar and ukulele manufacture.

From what I glean from reading quite a bit of material about this pre-1916 era, there may have been a few ukuleles starting to be produced on the mainland, but they would have been very small in number.

C.F. Martin & Co. were one of the first to produce ukuleles in 1916,  making less than 200 in that year.  This ukulele was most likely made the year after, hence the significance of this instrument, and the significance of possibly H.A. Weymann and Son being a pioneer in the field of mainland ukulele manufacturer.

Whether this ukulele was made for Weymann’s retail shop or for wholesale I guess we’ll never know, but we do know that by the time the Weymann 1924 catalog came out, this style 10 was replaced with a style 15 and a style 20, both with bound top edges, and the style 20 with a bound bottom edge as well.

A Big Thank-you Jim!

Jim Temple
Jim Temple


I’d like to give a big thank-you to my new best mate, Jim, for contacting me about this ukulele and going to the trouble of providing some decent photos that I could share via this post!  He also sent this photo to me (used with permission I hope) taken when he was about 35.

He said he was dressed up in costume for a centennial celebration but it’s going to be how I always envisage him now!




I am not a ukulele expert or historian, so I welcome comments for anyone who can add to this post, either write a comment below or email me


Thank you and Namaste      Charlie Robinson

13 thoughts on “AN EARLY 1917 WEYMANN UKULELE

  1. Loved reading the Jim Temple story that kick started this post. It must have been cool to hear from him. From the pics it sure looks a sweet little ukulele . 👏. Thanks for the nice read, and let’s us know if you hear any more history about Jim’s uke.

    1. Thanks for the comment, and if I find out more about this small gem I’ll add it to the post. Thanks again. . . Charles

  2. Hello from Texas! Jim Temple is my dad and I was pleasantly surprised to read this article and see the history of this ukulele that I’ve enjoyed listening to so many times. Going forward, I will listen with greater reverence!
    The image of my dad at 35 truly brings back memories as I know that photo well. It also makes me feel quite old as I’m nearly 50 years old myself. Dad still plays the uke, guitar, and piano beautifully and thrills his little 5 yo granddaughter every time we visit.
    Thank you for your research and wonderful website and for helping resolve dad’s undying curiosity about his little uke. Best wishes to you, Charles, for health and happiness.
    Kindest Regards, Charles Temple

    1. Thanks Charles, so nice to hear from you, your dad is a pretty cool guy! Stay tuned, I’ve received some additional information from a ukulele guy, and it looks like the date of Jim’s uke maybe c.1917 and not 1914. Will keep Jim updated when I know more…Nice to hear from you. . . .Charlie

  3. An interesting post having grown up in a generation where, in the ‘50s New Zealand, every kid learned to play the ukulele at school. My job was to tune by ear, all the school orchestra ukes before practice and performances! Still love my uke. Perfect for mantra singing

  4. Thanks for the updated information on the date of production of my uke, Charlie. Last time I checked, the new information hadn’t affected the old uke one whit, still plays and sounds the same. Keep up the good work, my friend.

    1. You’re such a card Jim! Even though this ukulele isn’t as early as I first thought it really helped bed down the dating of Weymann instruments. Good luck on life’s journey my dear friend.. . . . Charlie

  5. Hi! I am excited to discover this post, months after I last searched Weymann and Sons ukes. I “accidentally” bought a 1918 as part of an online auction lot, and was thrilled to read up about it then. I wonder if you have any sense of the monetary value of these instruments. I have a sense, but wonder if you know more.

    Thanks! Lisa

  6. I am a native Philadelphian My grandfather came to America in 1898 he was the youngest of 13 children. I was told by my grandfather one of his older brothers worked for Weymann. I never met this great Uncle as he passed away before I was born. Having always had interest in stringed instruments
    I have always been attracted to Weymann instruments as there is a family connection. My grandfather’s brother came over from Russia he was a carpenter.
    I own a few Weymann instruments and as I have gotten older I have let go of a few but I still own an early 20’s Weymann Soprano ukulele that is bound on the front sort of a cross bewtween a Martin style 1 and a Martin style 2. I am not a great Soprano player as I started playing guitar and prefer Baritone Ukulele as it is closer in tuning to a guitar and the four strings correspond to the higher four strings of a guitar. I do play the other sizes of Ukulele just not all that accomplished.
    I can give you a bit of information on the secondary Weymann numbers. Secondary numbers are generally two digits the last being a 0. 10 was the lowest grade instrument and the instruments would go up in increments of 10 so # 20 next to the lowest grade #30 next and so on. By the time you get to 50 it was considered to be a very high grade instrument. Weymann also made custom orders and you might see a C in place of a secondary number. I don’t know if the C stood for Customer or Custom or what it stood for and I have only seen one Weymann instrument with a C but I believe there are others. They are very Rare. I am not however the expert on Weymann. You want to find Bob Carlin who has done much more research and was going to publish a book on Weymann instruments. I believe he has a website and he is likely the most knowledgeable . According to the Tom Walsh and John King book on the Martin Ukulele, Weymann contracted C.F. Martin to make 1070 style O ukuleles from 1924 and 1925, 200 style 1’s in 1925 and 18 style 1 taropatch in 1925.
    I am a native Philadelphian and I have seen many hundred Weymann instruments over the past 60 years but I have yet to see a Martin made Weymann Ukulele. I hope this is helpful. I have collected both Hawaiian and Mainland Ukuleles and acquired a few dozen over the years. I actually have one of the first Martin style 2 Ukuleles from the second half of 1916. Martin and Weymann were neighbors just over 5o miles apart. It does not surprise me that Weymann produced what Martin produced at a later time. Weymann did a huge business in banjos as the Philadelphia mummers were organized in 1901 and many of the string bands played Weymann banjos. Weymann made some of the finest banjos in America during the first part of the 20th Century. All of the Weymann instruments I have come across are well built and generally sound great.

Leave a Reply

Your email address will not be published. Required fields are marked *